By Arnold Grummer, Mabel Grummer
Are you intrigued through the glance of dimensional paper yet youre uncertain the place to start? release the secret of this centuries outdated artwork shape with the main entire booklet on hand! This advisor takes you from the very fundamentals of paper casting to selecting the simplest pulp, molds, and liberate brokers on your wishes, so youll be developing your personal gorgeous paper-cast items in no time.
This crucial source Includes
* basic directions for making pulp, including botanicals, bettering your creations with glitter and paint, and making molds from daily goods like rubber stamps and brass plaques
* A dozen distinctive initiatives youll be proud to display
* transparent step by step pictures and easy-to-follow instructions
* Inspirational examples of paper-cast paintings, from scrapbook pages and greeting playing cards to bowls and framed calligraphy
Read or Download Arnold Grummer's Complete Guide to Paper Casting PDF
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Additional info for Arnold Grummer's Complete Guide to Paper Casting
5 The Complete Guide to Paper Casting Let the paper casting dry. 6PP40-65 1/9/02 1:24 AM Page 63 Obviously, botanicals for this technique cannot be too big or bulky. Anything physically suitable, other than botanicals, can also be embedded (see the bowl with handle on this book’s cover). This technique can be used with any paper casting matrix that has suitable wall structure. More ideas to try! Enhancing Paper Casts 63 6PP40-65 1/9/02 1:24 AM Page 64 Glitter and Glisten A wide range of products can add a special spark to your paper-cast projects.
Ments, develop color skill, A personalized equivalent of and create all types of the open cookie cutter can easily lovely things peobe made by first drawing an outple will buy or line image of your favorite tree, ancherish as gifts— imal, or even a profile of yourself or a or just use it for Open cookie cutter. friend, on foam board or any similar therapy. It is a material. Next, with a “hot wire” (available varied and valuable at art stores) or thin sharp knife, cut out the resource on the craft image.
The finished veined piece. The preceding techniques, with the possible exception of veining (which can be used with papercast bowls made with strainers) can also be used to put color onto pulp after it has been applied to mold or bowl surfaces. The possible variations and combinations of the above techniques are near infinite. ) Enhancing Paper Casts 55 6PP40-65 1/9/02 1:19 AM Page 56 Arranging Solid Color Areas Colored pulp can be placed anywhere on the surfaces of flat molds or dimensional forms.